Image edited by Naledi Sibisi |
From The Editor
Dear Reader,
A play on the idea of an incorporation - a brainchild, a business, a brand as well as my operation of ink (figuratively of course), as I am most passionate about writing, this blog serves to provide my opinion and insights on current events in the media.
That being said, my name is Naledi Sibisi, who in her early twenties, has grown comfortable with the idea that the pen is indeed her portion. For an unspecified period of time, I wish to take you on a journey as I welcome you to The Ink-Operation of N.
A play on the idea of an incorporation - a brainchild, a business, a brand as well as my operation of ink (figuratively of course), as I am most passionate about writing, this blog serves to provide my opinion and insights on current events in the media.
"Writers always say, 'I always knew I wanted to be a writer; when I was a three-month-old foetus a pen formed in my hand and I began to scratch my first story on the inside of my mother's womb.' I started later, in my early twenties."
- Harlan Coben
That being said, my name is Naledi Sibisi, who in her early twenties, has grown comfortable with the idea that the pen is indeed her portion. For an unspecified period of time, I wish to take you on a journey as I welcome you to The Ink-Operation of N.
Wednesday, April 24, 2013
Shakespeare's Day
Friday, April 12, 2013
Feature: The Curious Cases of Jyoti and Anene - Not a Favourite Song to Singh
Tuesday, April 9, 2013
(Tabo)o
ta·boo
/təˈbo͞o/
Noun
A custom prohibiting or restricting a particular practice or forbidding association with a particular person, place, or thing. -The Google Machine
It has been exactly a week since the highly controversial "Is love colour-blind" article (below) was published in the University of Cape Town's official student newspaper. The Varisty Newspaper has since become the product of a number of rants on social networks, blogs and more recently, local news networks.
Tuesday, April 2, 2013
Marikana Memoirs
In August 2012, South Africa experienced what the French
would refer to as Déjà vu, “the illusion of remembering scenes and events
when experienced for the first time: a feeling that one has seen or
heard something before” (Merriam-Webster
Dictionary, 2013:1). The Marikana massacre resulted in extensive coverage
in both the local and global media arena. The following presents an analysis of
the way in which storytelling strategies uncovered the event.
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